Whilst the track oozes this darkness, the tender melodies shine. This new release is nothing short of intoxicating, the landscape devours the audience, taking the listener on this vast journey, introducing layers upon layers of bold beats, gritty tones, and clashing harmonics. Katie’s delicate and enchanting vocal notes enthuse this affectionate nature, allowing emotion to direct the passages, signaling the fragility of the lyrics that glide through the industrial surroundings.

The darker attributes join the exploration and surge through the ominous world. This spacious ambiance begins, and resonating tones drip through the landscape and bounce from the structure with a seemingly wet essence.

It’s a reminder to get outside, make a mess and play.”

“Howl” is the antithesis of looking over your shoulder and asking for permission. At the end of her adventure she’s met with an unhinged applause that I hope the listener will take personally. She is directed entirely by her own curiosity and ignores the unsolicited advice of her fellow creatures. “Instead of being hunted and tricked by the wolf, a young girl navigates through the forest with playful tact. ““Howl” is my own musical rewrite of the Little Red Riding Hood fairy tale” she explains. With her forthcoming album, ‘ Fawn / Brute’ set for March 31st release on Houndstooth, now Katie Gately has shared a third and final pre-release track, entitled “Howl”.įollowing the album’s contrasting title tracks, “Fawn” and “Brute”, and the off-kilter melodic pop song “Cleave”, new single “Howl” is a jagged, eerie take on a classic Brother’s Grimm fairytale, building and journeying to a dramatic ending. New album ‘Fawn / Brute’ out March 31st on Houndstooth

Dead space brute sounds